Posts filed under ‘Julia Holter’

Julia Holter | Our Sorrows (Video)

Julia Holter has a new video out for her song, “Our Sorrows”. In the video, directed by Naomi Yang of Galaxie 500, Holter threads a miles-long maze with ribbon, which seems to suggest a shared kind of loss. But then again, it may simply be a concept without a message, meant to keep your attention throughout the length of the video. Either way, the song is a pretty one — and Holter is endlessly talented and immensely watchable. Click here for archived Their Bated Breath posts about Holter. – David D. Robbins Jr. 

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May 31, 2012 at 2:23 pm 1 comment

Julia Holter | Moni Mon Amie (Video)

Here’s a new video for Julia Holter’s “Moni Mon Amie” from off her most recent record, “Ekstasis”, out now on RVNGIntl. It’s a dreamy song, with shimmering keyboard, and lush vocals. The video for “Moni Mon Amie” was created by Yelena Zhelezov, who describes it as interpreting “the song as a lyrical appeal to the unattainable other, and a conversation that’s being had with oneself. The longing transforms the perception of the everyday, turning each moment into a poetic landscape in which the miniature and the gigantic become interchangeable. Julia plays the subject and the object of desire in this video.” There are some low-budget surreal kind of moments in the video, including a close-up of a person using a typewriter to make a giraffe, with Holter herself as the head, sitting in the distance. She also disappears into a cup of coffee. There are Greek ornamental busts, Holter in triplicate, fish bowls, and slow motion. It’s a creative video that feels like a mix between “Mad Men” and dream states of random office work made artistic — like moving plants, and typing. Read archived Their Bated Breath posts about Holter here. – David D. Robbins Jr.

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March 27, 2012 at 1:57 pm Leave a comment

JULIA HOLTER | Marienbad (Video)


As readers of this blog know already, I’ve got a special love for Julia Holter’s music and what she’s trying to do. She’s an innovator of the first order. Watch and listen to the video below for her newest song, the magically renaissance “Marienbad”. The track is a peek into the world of her upcoming third release “Ekstasis”, which is coming out via RVNG INTL. This is one of her best songs yet with it’s trumpet calls, melodic vocals layers, and marching rhythm. The video is directed by Rick Bahto. – David D. Robbins Jr.

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January 10, 2012 at 11:41 am Leave a comment

JULIA HOLTER | Sea Called Me Home (Video)


Julia Holter is one of the most intelligent musicians I listen to. She’s always trying new formats, and ways of musical expression. Sometimes it’s classically structured, or like this song, muffled and lo-fi. At other times she’s going for a sense of tonalism. Here’s a new video for her song, “Sea Called Me Home”, directed by José Wolff. The video is strangely beautiful, like some kind of mental time travel. The song is available now on Holter’s cassette “Live Recordings”, available on NNA Tapes. Also, you can purchase her latest release, “Tragedy” via the Leaving Records website – David D. Robbins Jr.

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December 22, 2011 at 5:32 am Leave a comment

JULIA HOLTER | Marienbad

Julia Holter’s new track, “Marienbad”, follows behind her most recent LP release “Tragedy” (2011). It’s a song which will be featured on her upcoming LP, “Ekstasis”, due out on March 8, 2012 via RVNG Intl. It may or may not have something to do with the famed film “Last Year at Marienbad”, my only reference to song’s name. I really don’t know. But there is a sense of the baroque, much like the film, and a repetition of phrases. But the connection stops there. “Marienbad” is a mix of styles beyond the baroque. It’s also classical, avant garde, pop influenced, and at times reaches a solemnity akin to a church service. I’ve been writing about Holter for awhile now, and never grow tired of trying to explain her music as best I can. Every time I hear her, it calls to mind the phrase, “the sky’s the limit”. The song’s rhythm and pace change at a whim, waltzing along at a slow gait before pulsating into a building frenzy of overlapping vocal tracks, thumping drums, loops, and strings — ultimately wrenching out a darkness in the song before the clank of metal signals the softening return to her purely melodic clarion call. “Marienbad” is beautiful, frightening, cold, glittering, strange and alluring. It’s otherworldly, and you won’t hear many other artists make music like this. Holter’s creativity is astounding. Read an archived Their Bated Breath post about Holter here. – David D. Robbins Jr.

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December 9, 2011 at 12:06 pm Leave a comment

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